Binge-Watching 2025's Christmas Films: Highlights, Lowlights, and Unexpected Delights.

It is the season to slob out on the couch and demolish a tin of festive treats in front of a great film, a bad movie, or one that’s awesomely awful.

This year, a batch of latest Christmas films aims to become part of our holiday traditions—perhaps even joining the ranks alongside enduring classics like Home Alone, Elf, Love Actually, and Die Hard (no arguments).

Therefore, in a vital public service to distinguish the gems from the coal, and to get into the holiday mood, I binged as many new festive movies as possible in a single day.

7.17am - A Very Jonas Christmas Movie

Kicking off, hopefully, on a high. This release is the sole 2025 entry on a well-known aggregator's list of the best 100 Christmas movies of all time.

The Jonas Brothers end up trapped in the UK after finishing their international trek and must return for Christmas. Their endeavors are hampered by an villainous Saint Nick, who bursts into melody to declare they won’t get home until they “find their sibling bond.”

The back-and-forth between the squabbling siblings is entertaining even for the uninitiated, while fans will no doubt notice lots of references as they attempt to get back using all transportation available.

It’s a travelogue of mishaps.

It’s not legendary, but is excellent for devotees and a good start to the day.

Christmas tree rating: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their loved ones who must sit through it.

Late Morning: Tinsel Town

A-list actor Kiefer Sutherland appears as a movie actor tricked into a "panto".

“A panto-what?” asks Sutherland’s “difficult” and ageing lead Brad Mack, who has hit a rough patch and whose agent has tricked him into thinking he’s appearing in high-class London stage.

His Aladdin cast-mates inform him he’s playing Buttons. “Absolutely not,” he retorts. One can imagine their response. Except if you’re ignorant of traditional British theatre traditions.

There are some hilarious moments, some cockle-warming side stories, and the ensemble is cracking, too.

It’s the sort of feature that would be a bit cheesy at a different time, but is a great entertainment at Christmas.

Festive score: 🎄🎄🎄🎄

Mid-Morning: Christmas Karma

An actor pops up at the outset of this film, too, calling someone a mug for the second consecutive movie. Is this a budding festive ritual?

This time, he’s a musical taxi operator who collects Mr Sood, the newest interpretation on Mr Scrooge from Charles Dickens’ A Christmas Carol.

Mr Sood is played by a star of Kunal Nayyar and Christmas Karma is directed by the director of Gurinder Chadha. The well-known tale progresses as the tight-fisted Mr Sood is confronted by the ghosts of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.

This Indian Scrooge is at least different from all the others, but sadly he’s not very captivating and Nayyar’s acting is flat—a significant issue when he’s so the main character.

Festive score: 🎄🎄

Lunchtime: Stuffed

There's just enough time for a major broadcaster's Christmas comedy-drama—which stars Guz Khan as a lovably grouchy guy who “isn't big on Christmas.”

But after he receives an £8,000 Christmas bonus at work, his wife (portrayed by Morgana Robinson) talks him into spending the sum on a vacation to Lapland.

There’s just one snag—he finds out there was an mix-up with his bonus, which should have been £800, and he has to devise a plan for how to return the remainder.

Enjoyable but forgettable.

Holiday verdict: 🎄🎄

1.12pm - Champagne Problems

This is one of those holiday movies where the tree, fairy lights and snow are in the backdrop—Christmas is the environment of the film rather than its core purpose—but it feels cosy and festive all the same.

Driven corporate star Sydney (starring Minka Kelly) is assigned to a vineyard to negotiate a purchase for a champagne business. On the way, she encounters a guy in a bookshop who vows to show her Christmas in Paris.

A commentator recently stated this is the top new Christmas film of the last several seasons. That’s a bit of a exaggeration, but it is a festive dalliance with a dash of elegance and gives the required heartwarming sensation.

The scene with a detailed conversation about Die Hard is notable too.

Christmas tree rating: 🎄🎄🎄

3.29pm - Finding Father Christmas

Sixteen-year-old Chris, played by Lenny Rush, continues to believe in Father Christmas, despite the persuasion of his dad (starring James Buckley) to tell him the truth.

The answer is to be discovered, and Chris ventures forth to find it with the expert help of a group of well-known scientists and personalities.

It’s understated but sweet, and ideal viewing while waiting for Santa to visit.

Holiday verdict: 🎄🎄🎄

A Star-Studded Family Drama

Michelle Pfeiffer is the head of a dysfunctional American family who come back together for the holidays—including other acclaimed actress Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.

Pfeiffer opens by name-dropping Christmas classics like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before stating: “They need to make a movie about the real champions of the holidays—moms.”

So that’s the premise, but in execution it’s really a jumble of those forerunner films, at least until Pfeiffer’s character eventually comes into her own.

Festive score: 🎄🎄

Evening: A Scottish Christmas Secret

The day’s waned in quality, but happily here’s a new offering in the crowded field of cliched, saccharine, over-the-top—and highly entertaining—seasonal comfort food.

It’s a story as familiar as can be: An American woman travels to a distant snowy land and ends up discovering romance.

In this case, Caprice Bourret plays a publisher

Ernest Scott
Ernest Scott

Wildlife biologist and sloth conservation advocate with over a decade of field research in Central and South American rainforests.

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